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This website is best viewed with browser version of up to Microsoft Internet Explorer 8 or Firefox 3. Subscription pricing is determined by: He went to a school of pharmacy in Belo Horizonte, but never worked as a pharmacist after graduation. He worked in government service for most of his life, eventually becoming director of history for the National Historical and Artistic Heritage Service of Brazil.
He adopted a Whitmanian free verse, mingling speech fluent in elegance and truth about the surrounding, many times quotidian, world, with a fluidity of thought.
Drummond's popularity has been credited due to the fact that a great part of his poetry especially after lirycal maturity has acquired an impressive capacity for the translation of ideas, transforming his particular troubles into a tool for universal communication. You, what about now? Your sweet words, your feverish instant, your feasting and fasting, your library, your gold mine, your glass suit, your incoherence, your hate Key in hand you want to open the door, but there's no door; You want to die in the sea, but the sea has dried; you want to go to Minas but Minas is no longer there.
The no-reasons of Love I love you because I love you You don't have to be a lover and not always know how to be one. I love you because I love you Love is a status of grace and it is not payable Love is given freely it is sowed in the wind in the waterfall, in the eclipse Love runs from dictionaries and several regulations.
I love you because I don't love Enough or too much me Because love is not swapped nor conjugated nor beloved. Because love is love for nothing, happy and strong in itself. Love is Death's cousin, and of the death, winner Even if they kill it and they kill in every moment of love.
Definitive Definitive, as everything that is simple. Why do we suffer?
For all those kisses canceled, for eternity. We suffer not because our work is stressful and pays little, but for all the free hours that we lost to go to the movies, to talk to a friend, to swim, to date.
We suffer not because our mother is impatient with us, but for all the moments that we could be confiding to her our deepest anxieties if she was interested to understand us.
We suffer not because our team lost, but for the suffocated euphoria. We suffer not because we age, but because the future is being confiscated from us, thus preventing a thousand adventures to happen to us, all those with whom we dreamed and we never ever try. Why suffer so much for love?
The truth was we did not suffer, just thank you for having known a so nice person, which generated an intense feeling in us and made us company for a reasonable time, a happy time. The answer is simple as a verse: Deluding themselves less and living longer!
The work of Carlos Drummond is generally divided into several segments, which appear very markedly in each of his books. But this is somewhat misleading, since even in the midst of his everyday poems or his socialist, politicized poems, there appear creations which can be easily incorporated into his later metaphysical canon, and none of these styles is completely free of the others. There is surely much metaphysical content in even his most political poems.
The poem deals with an anti-Faust referred to in the first person, who receives the visit of the aforementioned Machine, which stands for all possible knowledge, and the sum of the answers for all the questions which afflict men; in highly dramatic and baroque versification the poem develops only for the anonymous subject to decline the offer of endless knowledge and proceed his gloomy path in the solitary road.
There are also hints from Dante and the form is adapted from T. Eliot's dantesque passage in "Little Gidding. Free download.
Book file PDF easily for everyone and every device. This Book have some digital formats such us: Luis Goncalves Princeton University - admin. Navigation menu! Connecting the Dots: Breakthroughs in Communication as Alzheimers Advances?